{"id":20299,"date":"2023-08-24T05:00:00","date_gmt":"2023-08-24T12:00:00","guid":{"rendered":"https:\/\/www.nwea.org\/blog\/?p=20299"},"modified":"2024-07-16T10:39:04","modified_gmt":"2024-07-16T17:39:04","slug":"4-ways-to-use-improv-in-your-math-classroom-to-engage-kids","status":"publish","type":"post","link":"https:\/\/www.nwea.org\/blog\/2023\/4-ways-to-use-improv-in-your-math-classroom-to-engage-kids\/","title":{"rendered":"4 ways to use improv in your math classroom to engage kids"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"850\" height=\"299\" src=\"https:\/\/www.nwea.org\/blog\/uploads\/2023\/08\/4-ways-to-use-improv-in-your-math-classroom-to-engage-kids_850x300_hero-e1692804879540.jpg\" alt=\"\" class=\"wp-image-20300\" srcset=\"https:\/\/www.nwea.org\/blog\/uploads\/2023\/08\/4-ways-to-use-improv-in-your-math-classroom-to-engage-kids_850x300_hero-e1692804879540.jpg 850w, https:\/\/www.nwea.org\/blog\/uploads\/2023\/08\/4-ways-to-use-improv-in-your-math-classroom-to-engage-kids_850x300_hero-e1692804879540-300x106.jpg 300w, https:\/\/www.nwea.org\/blog\/uploads\/2023\/08\/4-ways-to-use-improv-in-your-math-classroom-to-engage-kids_850x300_hero-e1692804879540-768x270.jpg 768w, https:\/\/www.nwea.org\/blog\/uploads\/2023\/08\/4-ways-to-use-improv-in-your-math-classroom-to-engage-kids_850x300_hero-e1692804879540-720x253.jpg 720w\" sizes=\"(max-width: 850px) 100vw, 850px\" \/><\/figure><\/div>\n\n\n<div style=\"height:3rem\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Improvised comedy, or improv, for short, is the art of creating a scene from nothing but a suggestion, often with a scene partner or group. Great improv will leave audience members wondering if the scene were scripted. But this is impossible because scenes start with a suggestion from the audience. I love using improv in the classroom to get my students excited about math.<\/p>\n\n\n\n<p>I\u2019ve performed comedy since 2018, starting with stand-up before I shifted to improv and sketch comedy. I\u2019ve turned often to Tina Fey\u2019s book <em>Bossypants<\/em>, in which she says, \u201cIn improv there are no mistakes, only beautiful happy accidents. And many of the world\u2019s greatest discoveries have been by accident.\u201d<\/p>\n\n\n\n<p>I\u2019d like to pass along four rules of improv from her book that can also be applied in the classroom to get kids energized about learning.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Rule #1: Say \u201cyes\u201d <\/h4>\n\n\n\n<p>Yes is a mindset of openness and readiness to a moment\u2019s offering. Only when we are in a state of perpetual \u201cyes\u201d are we truly open to another person. However, \u201cyes\u201d indicates acceptance, not necessarily agreement. In improv, a scene might start like this:<\/p>\n\n\n\n<p>Wife: You never take me out on dates anymore.<\/p>\n\n\n\n<p>Husband: I took you to Chuck E. Cheese last week!<\/p>\n\n\n\n<p>You can see in this example that the actor playing the husband accepts the establishment of a relationship gone stale by disagreeing with the wife\u2019s claim.<\/p>\n\n\n\n<p>In her LinkedIn Learning course <a href=\"https:\/\/www.linkedin.com\/learning\/harnessing-change-to-unleash-your-potential\/a-whole-new-world?u=2096620\">\u201cHarnessing change to unleash your potential,\u201d<\/a> Anastasia Montejano talks about acceptance, too. She explains that it\u2019s on a continuum: deny, resist, explore, accept.<\/p>\n\n\n\n<p>Consider where you might be on this continuum when it comes to your classroom. You can apply this first rule of \u201cyes\u201d to accept reality and the hand that\u2019s been dealt to you. \u201cYes\u201d might mean:<\/p>\n\n\n\n<ul>\n<li>I\u2019ve got 18 out of 25 students who are below grade level for math<\/li>\n\n\n\n<li>I\u2019ve got a first-year co-teacher<\/li>\n\n\n\n<li>I\u2019ve got a veteran co-teacher<\/li>\n\n\n\n<li>Administrators are implementing three new initiatives this year<\/li>\n<\/ul>\n\n\n\n<p>The quicker you can accept your reality with openness and curiosity, the easier it will be to succeed because everything will be an opportunity.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Rule #2: Actively listen through \u201cYes, and\u2026\u201d <\/h4>\n\n\n\n<p>Once I\u2019ve accepted what my scene partner has established, I can build on it. There\u2019s a saying in improv: \u201cBring a brick, not a cathedral.\u201d My scene partner can\u2019t read my mind so I can\u2019t create a whole scene in my head (a cathedral) and try to play that out. My partner can only react to the one line I say or one action I do (the brick). And\u2014together\u2014we get to build our own cathedral. This implies that, as an actor, I have to actively listen to what my partner is saying before I respond and react to the last thing that was said.<\/p>\n\n\n\n<p>Consider what trying improv in the classroom and embracing both positivity and active listening might look like. Do you find yourself waiting for students to be done sharing, or are you reacting in real time to what they are saying? The challenge for teachers is that we often know the cathedral (the scope and sequence) that is being built. How can we lay bricks alongside students and build a cathedral together?<\/p>\n\n\n\n<p>One practical suggestion is to facilitate listening-centric experiences with students. I encourage you to use our <a href=\"https:\/\/www.nwea.org\/resource-center\/type\/formative-conversation-starter\/\">formative conversation starters<\/a> to try this in your classroom.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Rule #3: Make statements<\/h4>\n\n\n\n<p>Generally, great improvisers can establish the location, characters, and relationship within the first three lines of dialogue so that they can take the rest of the time to play. Actors do this by giving a gift, which is setting something up in the scene for other actors to react to.<\/p>\n\n\n\n<p>Gifts are often given through clear statements and specific details, rather than questions. For example, instead of a character saying, \u201cWhere are we going?\u201d a character might say, \u201cUgh, I hate going to the mall this late.\u201d Can you see the difference in how these two scenes might play out? The first scenario presents a situation where the second actor isn\u2019t given a lot to work with. The second scenario establishes the actors are going to the mall at a late hour.<\/p>\n\n\n\n<p>Additionally, providing specific details is often funnier than supplying generic information. For example, instead of saying, \u201cWow, I can\u2019t believe you bought my dream car,\u201d a character might say, \u201cWow, I\u2019ve always wanted a Hyundai Sonata.\u201d Something about the specificity of the car makes this scene funnier. No one\u2019s dream car is a Hyundai Sonata (I think?). The character has offered a gift to their scene partner with this detail.<\/p>\n\n\n\n<p>When using improv in the classroom, you can provide gifts for students with clear expectations through learning statements and success criteria. Learning statements share the expectation of cognitive understanding. Success criteria share the expectation of actions students need to take to show their cognitive understanding, since we can\u2019t read their minds.<\/p>\n\n\n\n<p>As teachers, we should be mindful of the assessments we provide. We want to be sure they are intentional, rather than just for a grade. Then, will we use formative or summative assessment? How will the assessment inform teachers of what students know and don\u2019t know? What will we do with the information students provide on assessments?<\/p>\n\n\n\n<p>Less ambiguity will decrease anxiety for learning, on both sides. For teachers, getting transparent means getting honest about our own goals, and it helps us locate exactly where our students can join us in collaboration. If we can show our learners the game plan, then they might be more inclined to take ownership of their academic growth\u2014and then make their own suggestions.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Rule #4: Remember: There are no mistakes<\/h4>\n\n\n\n<p>As Tina Fey noted in her book, there are no mistakes, only opportunities. She was talking about improv, but I think her wisdom applies to teaching, too.<\/p>\n\n\n\n<p>In improv, I must often let go of what makes sense. After all, that\u2019s just what \u201cmakes sense\u201d to me. A scene might play out that I\u2019m a talking pencil trying to get out of a pencil case with my best friend, the highlighter. If I can surrender the rules of life, then I can play more freely and creatively.<\/p>\n\n\n\n<p>Usually when I perform, I evaluate my soft skills and not the content. In other words, I don\u2019t reflect on what I should have said or done; rather, I focus on how well I supported my scene partner and embodied my presence. Maybe there\u2019s a character I want to try out or I need to work on eye contact. These are the skills that will help me become a better improviser.<\/p>\n\n\n\n<p>Similarly, as a teacher, I aim to listen to my students and understand their point of view. I help them explore ideas in different ways. And I try to remind myself\u2014and them\u2014that we should <a href=\"https:\/\/www.nwea.org\/blog\/2021\/embrace-mistake-making-in-math\/\">\u201cEmbrace mistake-making in math.\u201d<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">The funny will come<\/h4>\n\n\n\n<p>Another frequent saying in improv is, \u201cDon\u2019t force the funny. The funnies will come.\u201d<\/p>\n\n\n\n<p>Teachers, don\u2019t force the learning. The learning will come. It might come today, tomorrow, next week, or next semester. Keep trying and exploring and moving on when something doesn\u2019t go according to plan. Think about ways you might use improv in the classroom. \u201cBad\u201d lessons don\u2019t define your value as a teacher. In Tina Fey\u2019s words, bad lessons can be \u201cbeautiful happy accidents.\u201d<\/p>\n\n\n\n<p>To hear more about this topic, listen to our <em>The Continuing Educator <\/em>podcast episode <a href=\"https:\/\/www.nwea.org\/resource-center\/resource\/comedy-and-the-classroom-with-nicholas-joe\/\">\u201cComedy and the classroom, with Nicholas Joe.\u201d<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Improvised comedy, or improv, for short, is the art of creating a scene from nothing but a suggestion, often with a scene partner or group. Great improv [&hellip;]<\/p>\n","protected":false},"author":185,"featured_media":20303,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_yoast_wpseo_metadesc":"Rules actors follow for improv can help you get kids energized about learning math. 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